Showing posts with label 5ar4. Show all posts
Showing posts with label 5ar4. Show all posts

Wednesday, October 14, 2020

My personal 1969 Deluxe Reverb


This is my personal Deluxe Reverb. I just bought it from Division Street Guitars in Peekskill NY. Great shop, give them lots of business!

I added the blue jewel on the light bulb. Blue on silver is just right for me.

This post is just about general routine stuff. Amp had the rectifier tube removed and replace with a couple of 1N4007 diodes. Gross...... Well, at least not for me. 



Fortunately the power transformer is intact, easy fix. Clip thise sad diodes out and put the yellow wires back to pins 2 and 8:


Next was just the filter caps. Sad, old and leaking. I didn't keep the sleeves this time cause, well, who cares? It's a silver panel amp! You can see they are leaking badly. Please don't leave stuff like this intact for the sake of "collectibility." Remove and replace.


I like to put two 80uf@450v caps in series with two 220k 2 watt bleeder resistors in the first filtering stage. Keeps me from getting zapped! And if you have an amp that has 500+ volts sitting there before you hit standby, this is safer. 80+80 in series is 40uf....... Perfect for a tube rectifier where you do not want to go over 50uf.


Next is the 470 ohm grid resistors. One was replaced but I just did both. You can also see those .001 capacitors from pin 5 to ground. Gone. Never needed them! The AB763 circuit is just better.




So I'm not the biggest fan of those "Brick drop" capacitors. A bit harsh. I replaced them with a mix of Sozo blue capacitors (lovely!!!) and some old Ajax caps and Sprague Black Beauty caps. 



In the phase inverter I went with a .002 cap feeding it from the preamp. The silver panel amps use .01 which I don't like much and the black panel amps use .001. I like it somewhere in between. You can freely experiment with values there and see what you like. 

This is my first amp with reverb since 1992! New sounds for me. Absolutely beautiful voice. I used all American and European NOS glass. So hopefully the public will get to hear this some day when Covid has passed. And it shall pass like everything else. Let's keep it real and get through these times together. God I miss live music!


Of course, these old Fender amps have a way of getting away from me. So as long as I don't sell it.....

I should add, the late 60's Fender amps with the removable baffles like this one are some of my favorites. They're consistently great sounding. I'm not a fan of the tweaks they did but those are minor and it's a piece of cake to put them back to the black panel glory. The transformers are pretty much the same, this uses a 5AR4 rectifier rather than the 5U4. That's important. The amps made soon after this are very good still, right up until the 1980's. They're all hand wired. But these late 60's amps, you have more fun options. If I wanted to I'd replace the baffle with Baltic Birch. Mojotone makes those ready to install. I've done this for clients and for a couple amps I owned that had cracked baffles. The later ones the baffle is glued in. Bah! Why???!!! 

So do consider one of these if you have fancy champagne taste on, well, a good wine budget. No they ain't beer sadly, but still priced more reasonably than the vaunted black panel amps..... 

Wednesday, April 3, 2019

1963 Fender Vibroverb. One of the rarest of all.






I had the honor to work on this old Vibroverb last month. At first glance I thought is was a reissue model cause it's so clean. I looked at it again and said "No way!" thinking it must be a kit. Then I realized I know the owner and he has pretty fine stuff.

I've never seen one in person. This goes on my bucket list of rare Fender amps like the 3x10" tweed Bandmaster here.

Amp was blowing fuses. The filter caps were bubbling so I replaced them but unfortunately the problem was the reverb driver transformer was shorted. BUMMER! Nobody makes quite the same part so I just used a new Heyboer with a large washer to hold one end on. No holes needed to be drilled this way and no one is ever going to see it anyway. Easy fix.

The original part goes into a plastic sandwich bag so the owner can decide what to do with it. Paperweight or get it re-wound? He doesn't care since he doesn't use reverb anyway.

Amp sounds amazing. First model to sport those 'brick drop' caps like you see in late 60's models.

Did I mention this amp sounds amazing? I'd go so far as to say aggressive. If cost were no object....



The culprit:





Brick drops!








Original speakers. At some point they were wired backwards! I've seen this many times....




Original milk chocolate footswitch. Mmmmmmm.....




Monday, January 9, 2017

1955 Fender 3x10" Bandmaster, 5E7. Yes, rare as can be.



This was a fun project. A 1955 Fender Bandmaster with 3 10" Jensen P10R speakers. This is the first original one I've had the pleasure of playing, I built one when I had my shop in Portland and sold it soon after. If I ever need to go 'big' again, I may build another one of these for myself, this may be the candidate for what I need.

What do I like about these? They are raw and primitive. They are part of the evolution to the more refined legendary Bassman amp. They don't work nearly as well in other words. The tone controls are a bit weird and the transformer to speakers is a good mismatch! (4 ohm transformer into a 2.6 ohm load!) That's a part of the sound for better or worse. Plus, I love the size. A Bassman is just a bit too big for any of my needs.

Speaking of that mismatch, you almost never find one with the original output transformer. They simply burned out. A friend had an even more rare Brown 3x10" from the early 60's and that had it's transformer replaced just like this one. I believe only Mercury Magnetics makes a proper 2.6 ohm transformer for these. When I built one that's what I used. Great part but I was a little let down. It was a lot more iron than I expected. I think they call it the "Fat Stack" or something like that. I prefer to have a smaller part, I don't need all that clear bass! So hopefully someone out there makes a trashier part now. A great sounding amp is a mixture of excellent quality parts and frankly, crap. Too much of either direction and you lose me.

This amp belonged at one point to a rhythm guitarist who played with Muddy Waters. When it came to me I saw pictures or the insides and outsides. I could see it had Orange Drop Sprague capacitors throughout, not my favorite, and the work looked a bit sloppy.



It also had a solid state rectifier and just okay modern tubes:


Once I played it other than a bad distortion (one of the speakers had a bad voice coil) I had to wonder what could I do to improve it besides the obvious: better tubes and a proper tube rectifier.

Once I opened it I could see the Orange Drop caps weren't the icky 715 type, but old polyester. I like those. They are nice and warm. You can identify them by the black stripe on the outside foil side:



Notice the blue resistors and the 2 "Chocolate Drop" capacitors in the preamp. Those do have to go. Not acceptable parts in a Cadillac!


Those blue metal film resistors are ok for load resistors, in fact they work better and are more stable. But stable isn't what were after here, we want that extra push over the cliff into special!



The only drag with modern Carbon Composition resistors is they seldom have long enough leads. So I had to extend the 2 watt cathode follower resistor:




Tone stack complete:


I use Mojo Dijon caps as these are my favorites. I also opted for a 250pf 500V silver mica cap for the treble cap. For the phase inverter I left the Orange Drop caps intact. I like them there. The Mojo caps are more like an old cap. Nice soft edges, warm. Mixed with the polyester Orange Drops I think it's a good balance.

Next was the tone caps on the pots themselves:


These were really poorly soldered. In fact the one on the treble pot simply came off then I touched it with a chop stick! You really need to have a high quality iron to get that joint right. Don't cheap out with your economy iron! Buy a Weller already!!! Also hit the back of the pot with sandpaper and use rosin. You'll have a much easier time of it and some pots you simply can't solder on to the back without sanding or using a scratch awl!

The caps themselves here don't matter as much, they are only bleeding some signal to ground, but I replaced them anyway cause, why not? The Mojos look more like the original Astron caps so....

Now the switches. They were fine, just not a classy part in my opinion. I can't stand seeing some big ass disco switches on one of these amps. It just looks stupid!




The one on the right is the replacement. I'll use the old ones for a Plexi, which likes the big bats!


Also on the standby switch I needed to add a .047@600V cap to ground. Not entirely necessary but it's in the schematic so:


And if you notice in the above photo the original wire had oxidized badly. I needed to replace that length with some nice cloth stuff as well. If I wanted to be all picky I'd age the wire with coffee, but who is going to see it???




Then the bias circuit and the grid stop resistors. I did add a trim pot to adjust bias:




Next the sexy part... The tubes. These amps sell for a lot of dough. Sovteks are nice, and I do like the Chinese 12AX7 tubes it was loaded with but, let's reach for the top shelf. Sovtek 5881 tubes replaced with Tung Sol made RCA!





Also that blasphemous solid state rectifier replaced with a NOS Sylvania 5U4 made the same year as me, 1968:




Those scuzzy preamp tubes are replaced with Mullard made "Phillips" branded tubes. And the first gain stage replaced with an RCA 5751. A bit less gain but that's what Fender wanted. Want faster breakup? Use a 12AX7, or....just turn the volume knob up!






Photos of the transformers:

The power transformer and choke are original. The output is from 1961. It's a proper Schumacher Bandmaster transformer.





And a nice chassis shot:



I did use a bigger (30uf @ 500V) cap in the first stage of the power supply. Personal preference. The rest are proper 16uf and an 8uf for the preamp.

So how did it turn out? Was all this work worth it? The amp did sound great but yes, it sounds better now. That extra color to the tone, and it's a more defined. Warmer. So I say yeah, it was worth it!

So if you own one of these, you know how lovely they are. One of the most unique American made amps that ever was produced. It's unusual cause Fender knew how to build an amp like no other, so why the mis match with the transformer. As the drive to produce cleaner tones and more powerful amps to achieve this ensued, I wonder what he was thinking with this one?

For those of you who don't have the dough for an original, I see Fender is making them again. They are pricey but not as pricey. My opinion? Pay someone else like myself or maybe Victoria to build you one. We'll do you better!

-JB


Monday, October 31, 2016

1968 Ampeg B-15



Here's a lovely beast. A 1968 Ampeg B-15 with that super sexy drip edge styling you only see that year. These are rare. Most are the more classic blue tolex earlier style, this is the classic bell bottom zodiac bling jam.

This one was bought from the original owner. He took great care of it. It showed up at my place with a blown fuse. Amp was turned on, fuse fried. Like many Ampeg B15 amps, the power transformer simply died!

Fortunately Ampeg or someone else makes a suitable replacement. They even got the paint super close. And if you scratch it during installation, it simply matches the rest of your 50 year old amp better.

Pretty easy to install. You do need to get around the p.c. board a bit, takes some creative thinking and action to do so but no biggie....



I also always make sure I put the little cardboard piece with the date and part codes. The new part is better than the old I hope. I replace one of these about every year and a half on average! So if this goes 48 years from now, maybe that tech will think it's lasted 96 years??



Notice the micro fiber cloth under this transformer. I did all I could to install it scratch free! I also replaced the electrolytic caps as well. I never want to see a 50 year old can in one of these.

Amp is back to making music again and yeah, sounds lovely. These make cool guitar amps as well as the worlds greatest studio bass amp....

If you can find it, Jimi's first appearance on the Dick Cavett show, he plays "Hear my Train A Comin'" through one of these with the Dick Cavett studio band. He sounds, exactly like Jimi.....

JB